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William Gibson ListingsIf you cannot find what you want on this page, then please use our search feature to search all our listings. Click on Title to view full description
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Gibson, William Notes on How to Turn a Phoenix Into Ashes: The Story of the Stage Production, with the Text of Golda by Gibson, William
New York Atheneum 1978 First Edition Hardcover Good
Good/Good 068910761 c.1977, blue bds., 149pp., (shelf wear, corners bumped, previous price written in pencil inside front cover, copyright date inked out and another stamped in, text clean, binding good, d.j.: lt.edge wear, covers lt.discolored, lt.rubbed)
Price:
6.80 USD
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William Gibson Spook Country
Berkley Trade 2008 0425221415 / 9780425221419 Paperback New
0425221415 Amazon Review Now that the present has caught up with William Gibson's vision of the future, which made him the most influential science fiction writer of the past quarter century, he has started writing about a time--our time--in which everyday life feels like science fiction. With his previous novel, Pattern Recognition, the challenge of writing about the present-day world drove him to create perhaps his best novel yet, and in Spook Country he remains at the top of his game. It's a stripped-down thriller that reads like the best DeLillo (or the best Gibson), with the lives of a half-dozen evocative characters connected by a tightly converging plot and by the general senses of unease and wonder in our networked, post-9/11 time. Across the Border to Spook Country For the last few decades, William Gibson, who grew up in Virginia and elsewhere in the United States, has lived in Vancouver, British Columbia, just across the border from Amazon.com's Seattle headquarters, which made for a short drive for a lunchtime interview before the release of Spook Country. We met just a few miles from where the storylines of the new novel, in a rare scene set in Gibson's own city, converge. You can read the full transcript of the interview, in which we discussed, among other things, writing in the age of Google, visiting the Second Life virtual world, the possibilities of science fiction in an age of rapid change, and his original proposal for Spook Country, which we have available for viewing on our site. Here are a few excerpts from the interview: Amazon.com: Could you start by telling us a little bit about the scenario of the new book? William Gibson: It's a book in which shadowy and mysterious characters are using New York's smallest crime family, a sort of boutique operation of smugglers and so-called illegal facilitators, to get something into North America. And you have to hang around to the end of the book to find out what they're doing. So I guess it's a caper novel in that regard. Amazon.com: The line on your last book, Pattern Recognition was that the present had caught up with William Gibson's future. So many of the things you imagined have come true that in a way it seems like we're all living in science fiction now. Is that the way you felt when you came to write that book, that the real world had caught up with your ideas? Gibson: Well, I thought that writing about the world today as I perceive it would probably be more challenging, in the real sense of science fiction, than continuing just to make things up. And I found that to absolutely be the case. If I'm going to write fiction set in an imaginary future now, I'm going to need a yardstick that gives me some accurate sense of how weird things are now. 'Cause I'm going to have to go beyond that. And I think over the course of these last two books--I don't think I'm done yet--I've been getting a yardstick together. But I don't know if I'll be able to do it again. I don't know if I'll be able to make up an imaginary future in the same way. In the '80s and '90s--as strange as it may seem to say this--we had such luxury of stability. Things weren't changing quite so quickly in the '80s and '90s. And when things are changing too quickly, as one of the characters in Pattern Recognition says, you don't have any place to stand from which to imagine a very elaborate future. Amazon.com: Now that you're writing about the present, do you consider yourself a science fiction writer these days? Because the marketplace still does. Gibson: I never really believed in the separation. But science fiction is definitely where I'm from. Science fiction is my native literary culture. It's what I started reading, and I think the thing that actually makes me a bit different than some of the science fiction writers I've met who are my own age is that I discovered Edgar Rice Burroughs and William Burroughs in the same week. And I started reading Beat poets a year later, and got that in the mix. That really changed the direction. But it seems like such an old-fashioned way of lo May ship from alternate location depending on your zip code and availability.
Price:
6.99 USD
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Gibson, William The Cobweb by Gibson, William
New York Alfred A. Knopf 1954 Second Printing Hardcover Good
Good-/No Jacket 8vo - over 7?¾" - 9?¾" tall c. 1954, gray/red bds., 369pp., (wear to head?? of spine????? bumped, bds.discolored, soiled, spine sunned, page ends yellowed-soiled, front hinge cracked and beginning to weaken, some lt.soiling to a few pages)
Price:
5.95 USD
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William Gibson Virtual Light
Spectra 1994 0553566067 / 9780553566062 Paperback Very Good
0553566067 Amazon.com Review The author of Neuromancer takes you to the vividly realized near future of 2005. Welcome to NoCal and SoCal, the uneasy sister-states of what used to be California. Here the millennium has come and gone, leaving in its wake only stunned survivors. In Los Angeles, Berry Rydell is a former armed-response rentacop now working for a bounty hunter. Chevette Washington is a bicycle messenger turned pick-pocket who impulsively snatches a pair of innocent-looking sunglasses. But these are no ordinary shades. What you can see through these high-tech specs can make you rich--or get you killed. Now Berry and Chevette are on the run, zeroing in on the digitalized heart of DatAmerica, where pure information is the greatest high. And a mind can be a terrible thing to crash. From Publishers Weekly Gibson's cyberpunk thriller set in a near-future L.A.--a two-week PW bestseller--depicts the hunt for virtual reality glasses containing classified data. Copyright 1994 Reed Business Information, Inc. May ship from alternate location depending on your zip code and availability.
Price:
1.69 USD
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